In search of narrative identity: how writers construct their identity in narratives

Authors

Kyiv National Linguistic University, Ukraine
https://orcid.org/0000-0001-8335-1639

Keywords:

homodiegetic narrator, modernist narrative, convergence of artistic genres, montage, narrative identity, surrealist narrative reality, French literary discourse

Synopsis

The main problematic of this research falls within the paradigm of linguistic and narrative theory of literary discourse which focuses on the study of the relationship between language and consciousness in general and language and literary mind in particular. In recent Ukrainian and foreign narrative and poetological research, the ability of the narrative to identify the self of the subject narrating, to reveal not only the identity of the story or that of the character, but to contain the implicit elements of the author's self still awakens a great interest. Despite the quite exponential linguistic and narrative tradition in the study of literary discourse, the question of the writer's narrative identity and the mechanisms of its constitution in the narrative remain quite controversial. In this research paper I have explored the concept of the writer's narrative identity in the French modernist literary text production. I have revealed and analyzed the most significant narrative techniques of the author's narrative identity construction in the formation of the surrealist narrative reality. Such a narrative reality is distinguished by the symbolism and the figurative language being generated as a result of asymmetric relationships between linguistic units.

References

Herman, D.; Kindt, T., Muller, H.-H. (Eds.) (2003). Regrounding Narratology: The Study of Narratively Organized System of Thinking. What is Narratology: Questions and Answers Regarding the Status of a Theory. Walter de Gruyter, 303–332. doi: https://doi.org/10.1515/9783110202069.303

Kindt, T. (2008). L'auteur implicite. Remarque à propos de l'évolution de la critique d'une notion entre narratologie et théorie de l'interprétation. Vox Poetica. Available at: https://vox-poetica.com/t/articles/kindt.html

Pier, J., Berthelot, F. (Eds.) (2010). Narratologies contemporaines: approches Nouvelles pour la théorie et l'analyse de récit. Paris: Editions des Archives Contemporaines, 274.

Ryan, M.-L.; Hühn, P., Pier, J., Schmid, W., Schönert, J. (Eds.) (2009). Space. Handbook of Narratology. Walter de Gruyter, 420–433.

Schaeffer, J.-M.; Pier, J., Berthelot, F. (Eds.) (2010). Le traitement cognitif de la narration. Narratologies contemporaines: approches nouvelles pour la théorie et l'analyse de récit. Éditions des archives contemporaines, 215–232.

McAdams, D. (2006). Le Soi Rédempteur. Available at: https://stringfixer.com/fr/Narrative_identity

Bekhta, I. A. (2010). Opovidnyi dyskurs v anhlomovnii khudozhnii prozi: typolohiia ta dynamika movlennievykh form. Kyiv.

Bertrand, M. (2005). Qu'est-ce que la subjectivation? Le Carnet PSY, 1 (96), 24–27. doi: https://doi.org/10.3917/lcp.096.0024

Moklytsia, M. V. (1999). Modernizm yak struktura. Filosofiia. Psykholohiia. Poetyka. Lutsk.

McAdams, D. P. (2018). Narrative Identity: What Is It? What Does It Do? How Do You Measure It? Imagination, Cognition and Personality, 37 (3), 359–372. doi: https://doi.org/10.1177/0276236618756704

Erikson, E. H. (1963). Childhood and society. New York: Norton.

Macé, M. (2013). Identité narrative ou identité stylistique? Fabula. Available at: http://www.fabula.org/colloques/document1920.php

Ricoeur, P. (1990). Soi-même comme un autre. Paris: Éditions du Seuil, 424.

Berger, D., McAdams, D. (1999). La cohérence du récit de vie et sa relation avec lebien-être psychologique. Enquête narrative, 9, 69–96.

Genette, G. (1972). Figures III. Paris: Seuil, 286.

Nizzi, M.-Ch. (2011). Le Propre et l'Étranger: le concept d'identité vécue en première personne. Philosophie. HAL. Available at: https://tel.archives-ouvertes.fr/tel-00598343

Locke, J. (2009). Essai sur l'entendement humain. Les classiques de la Philosophiem 1120.

Foisneau, L. (2004). Identité personnelle et mortalité humaine Hobbes, Locke, Leibniz. Archives de Philosophie, 67 (1), 65–83. doi: https://doi.org/10.3917/aphi.671.0065

Montaigne, M. (1992). Essais, II. Villey. PUF, Quadrige.

Giocanti, S. (2017). Peut-on se passer de la notion d'identité? La contribution de Montaigne. Essais, 11, 29–38. doi: https://doi.org/10.4000/essais.3294

Peetz, Ch. (2018). Le concept d'identité chez J. Locke et chez P. Ricoeur: la mémoire au fondement de l'identité? Available at: http://hdl.handle.net/2078.1/thesis:16242

Herlant-Hémar, K. Identité et inscription temporelle : le récit de soi chez Ricoeur. Available at: https://docplayer.fr/12189560-Identite-et-inscription-temporelle-le-recit-de-soichez-ricoeur.html

Artemenko, A. P. (2012). Funktsionalnist identychnosti. Humanitarnyi chasopys, 2, 13–19.

Kheirallah, H. (2012). Fredric Jameson: refashioning literature definition. GRIN Verlag, 21. Available at: https://www.grin.com/document/207140

Bruner, J. (1997). A Narrative Model of Self-Construction. Annals of the New York Academy of Sciences, 818 (1), 145–161. doi: https://doi.org/10.1111/j.1749-6632.1997.tb48253.x

Ilina, A. V., Podolska, T. V. (2012). Naratyvna identychnist u prostori komunikatyvnodyskursyvnykh praktyk. Filosofiia. Kyiv, 750.

Lehkyi, M. Z. (1996). Maister maloi prozy. Dzvin, 8, 131–136.

Jung-Rozenfarb, M. (2008). Les récits du Moi ou l'art de la transposition autour de l'écriture d'Hélène Cixous. Revue française de psychanalyse, 5, 1699–1705. doi: https://doi.org/10.3917/rfp.725.1699

Toro, Alfonso de (2004). La "nouvelle autobiographie" postmoderne ou l'impossibilité d'une histoire à la première personne : Robbe-Grillet, Le Miroir qui Revient et de Doubrovsky, Le Livre Brisé. Available at: https://home.uni-leipzig.de/detoro/wp-content/uploads/2004/03/2004-La-nouvelle-autobiographie.pdf

Palii, O. P. (2005). Romany Milana Kundery: problematyka, poetyka, naratyvni stratehii. Kyiv.

Breton, A. (1964). Nadja. Paris: Éditions Gallimard.

Breton, A. (1960). Nadja. New York: Grove Press, Inc., 160.

Domoratckaia, E. S. (2002). Andre Breton i formirovanie poetiki frantcuzskogo siurrealizma v 20-e – nachale 30-kh godov XX veka. Saint Petersburg, 192.

Andreev, L. G. (1972). Siurrealizm. Moscow: Vysshaia shkola, 230.

Collins English Dictionary. Available at: https://www.collinsdictionary.com/dictionary/english

Lutcak, S. M. (2002). Vnutrіshnia organіzatcіia prozovogo tekstu (na materіalі khudozhnіkh tvorіv Іvana Franka). Ivano-Frankivsk, 210.

Savchuk, R. (2019). L'intermédialité du texte littéraire: vers une nouvelle méthodologie de recherche interdisciplinaire. Langue, Sciences et Pratiques. Odessa.

Grebeniuk, T. V. (2010). Podіia v khudozhnіi sistemі lіteraturnogo tvoru (na materіalі ukrainskoi prozi kіntcia XX – pochatku XXІ stolіttia). Kyiv.

Downloads

Pages

96-115

Published

December 29, 2022

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Details about the available publication format: PDF

PDF

ISBN-13 (15)

978-617-7319-60-2

How to Cite

Savchuk, R. (2022). In search of narrative identity: how writers construct their identity in narratives. In R. Vasko (Ed.), LANGUAGE. CULTURE. DISCOURSE (pp. 96–115). Kharkiv: TECHNOLOGY CENTER PC. https://doi.org/10.15587/978-617-7319-60-2.7